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True Notebooks: A Writer's Year at Juvenile Hall, by Mark Salzman
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In 1997 Mark Salzman, bestselling author Iron and Silk and Lying Awake, paid a reluctant visit to a writing class at L.A.’s Central Juvenile Hall, a lockup for violent teenage offenders, many of them charged with murder. What he found so moved and astonished him that he began to teach there regularly. In voices of indelible emotional presence, the boys write about what led them to crime and about the lives that stretch ahead of them behind bars. We see them coming to terms with their crime-ridden pasts and searching for a reason to believe in their future selves. Insightful, comic, honest and tragic, True Notebooks is an object lesson in the redemptive power of writing.
- Sales Rank: #37845 in Books
- Brand: Salzman, Mark
- Published on: 2004-08-31
- Released on: 2004-08-31
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .75" w x 5.19" l, .58 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
Salzman (Lying Awake; Iron & Silk) volunteered to teach creative writing at Central Juvenile Hall, a Los Angeles County detention facility for "high-risk" juvenile offenders. Most of these under-18 youths had been charged with murder or other serious crimes, and after trial and sentencing many would end up in a penitentiary, some for life. Sister Janet Harris, of the Inside Out Writers program, convinced Salzman that in spite of his reservations-about teaching writing, about being a white liberal offering "art" to darker-skinned ghetto boys-these children needed to be encouraged to express themselves in writing instead of acting out, needed to feel they mattered to someone. So Salzman started coming twice a week to meet with three boys, although their number quickly grew. He tried to structure each session with a half hour for writing followed by each boy reading his work aloud, although after a lockdown or a class member's trial, he had to loosen the routine. While their writing themes are somewhat predictable-their anger and violent impulses, their relationships with parents and gangs, plus a tedious dose of "pussy, bullets, and beer"-the discussions these essays provoked were personal and often explosive. As productive as these classes were, everyone was always aware of the painful truth that students would soon be shipped out to more brutal facilities. Salzman doesn't dwell on that, concluding that "a little good has got to be better than no good at all." Indeed, his account's power comes from keeping its focus squarely on these boys, their writing and their coming-to-terms with the mess their lives had become.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Wanting to add life to a cardboard juvenile delinquent character in the novel he was trying to finish, Salzman (Iron & Silk; Lying Awake) visited a juvie lockup for high-risk offenders where his friend taught a writing class. Despite entering the facility wishing "we could tilt L.A. County and shake it until everybody with a shaved head and tattoos falls into the ocean," Salzman ended up teaching a class himself. The remarkable results are detailed in this wonderful book. Salzman found students who took writing more seriously than the college kids he'd taught. He also found clowns, of course, who just wanted to goof off or antagonize him, but even the manipulative kids Salzman introduces us to are stunningly human. Both selections from the boys' writing and Salzman's taut storytelling give us multidimensional images of teenagers thrown into a justice system concerned only with punishment. Early in the book, a friend of Salzman's complains that there are no good books about juvenile delinquents. Well, there's one now--one that examines a broken system with grace, wit, and gripping storytelling. John Green
Copyright © American Library Association. All rights reserved
Review
“Extraordinary. . . . Everything about this book seems perfect.” —San Francisco Chronicle
“Fresh, galvanizing and articulate . . . a narrative that asks as many questions as it answers. Cogent, thoughtful and honest.” —The New York Times
“One cannot read. . . and not be stirred . . . As moving as it is sparse, as revealing as it is concealing, as straightforward as it is complex.” —Los Angeles Times Book Review
“Engaging. . . . Salzman creates a cast of lively, convincing, and hugely sympathetic characters and True Notebooks is filled with powerfully moving scenes.” —O, The Oprah Magazine
Most helpful customer reviews
32 of 32 people found the following review helpful.
A favorite writer turns his gaze
By bensmomma
I have always loved Mark Salzman's writing; he brings a deep respect and appreciation of the humanity of his characters to the page. Maybe that sounds easy to do when you're writing about, say, the spiritual life of a cloistered nun, as he did in his recent novel "Lying Awake."
In "True Notebooks," you might think he has taken on too big a task: he wants you to understand and appreciate the imprisoned Los Angeles teenagers he supervises in the "Inside Out Writers" program in LA Central jail. He does this by describing a year or more of biweekly readings of his jailhouse writers group. Inmates come, write, live out the details of their cases, and then, sadly, eventually disappear into the adult justice system.
He doesn't sugarcoat or sentimentalize these kids' stories--he understands and acknowledges the pain their crimes have caused, and he writes about their victims too. But by doing such a marvelous job showing how his subjects grow and change through their experiences, he forces you to see them as real and human. You will be astonished and saddened by the quality of their writing, and hold your own children closer as a result.
22 of 23 people found the following review helpful.
Powerful...Salzman does it again...
By Krisilou
Since Mark Salzman is one of my favorite writers, I couldn't wait to read his new work of non-fiction. Lost In Place made me laugh so hard in some parts that I cried, but in True Notebooks, I cried for different reasons.
This book chronicles Salzman's experiences as a volunteer writing instructor in L.A.'s Central Juvenile Hall. This could have easily been one of those memoirs where readers are taken down a "feel good-I'm such a noble guy" journey. We have all seen Hollywood renditions of such situations, but Salzman doesn't portray himself as a hero. Instead, he reveals his doubts, fears, and insecurities right along with those of the juvenile offenders he works with.
Without intending to, this book makes a powerful political statement as to why juveniles should not be tried as adults and how the justice system fails too many poor and minority youth. I was moved by the writing that these young men produced, and you will be, too. As an English teacher, I only dream of getting such work turned in to me.
As expected in a book such as this, there is no happy ending. But, Salzman has truly given these young men a voice by helping each find his own through the written word.
20 of 21 people found the following review helpful.
A truly moving read
By A Customer
Salzman's latest is my favorite of his so far. It is not some glossy "To Sir, With Love" or "Dangerous Minds" but a real, insightful glimpse into the world of juvenile delinquents, showing them at their most vulnerable. Their stories (in their own words) are depressing, funny, heart wrenching and violent - but all are brutally honest. Their writings are framed by Salzman's thoughtful and spare prose; without judging these troubled kids he helps us appreciate how they became who they are. It is not a hopeful book, but it does build compassion and understanding, which is much more useful than hope. It is a fantastic book.
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