Ebook Black Recording Artists, 1877-1926: An Annotated Discography, by Compiled by Craig Martin Gibbs
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This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.
- Sales Rank: #3403533 in Books
- Brand: Brand: McFarland
- Published on: 2012-12-20
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x 1.20" w x 6.90" l, 1.90 pounds
- Binding: Paperback
- 498 pages
- Used Book in Good Condition
About the Author
Craig Martin Gibbs is a lecturer at Kyoto University in Japan.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Chronicle of the Blues and Beyond
By IsolaBlue
Who will want this book in their library? Serious students of African-American music, scholars of American music history, those interested in music production, folks with a penchant for interpreting periods of history through their music, and just about anyone crazy about early blues and jazz. Black Recording Artists, 1877-1926 gives us a very detailed discography of what was recorded where, when, and by whom. For collectors of old music, this is a goldmine of information. Besides being a handy reference book to have on one's shelf, this hefty work is also a peek into a different life and time. One imagines someone a century from now researching the music of our times, laughing at some of the titles, wondering about some of the artists, and making connections between different musicians, vocalists, and studios.
Some of the strange song titles one encounters when browsing the book are the likes of: "Mama, Whip! Mama, Spank!" as well as "Got to Cool My Doggies Now," "A Green Gal Can't Catch On," and "You've Got to Beat Me to Keep Me." Song titles reflect the times, African-American lives, and national obsessions. As one reads through song titles, it is easy to start humming aloud as many of the songs are classics. Others are more obscure - and sometimes more interesting. At the end, though, one clear message rings through and that is how important the blues were during this period, how they helped to shape an entire culture, and how they speak to us today in much the same way they were intended to then.
As a discography, this is an excellent piece of work. One can't help but wish for a few photographs of some of the vocalists who recorded, though, or perhaps some narrative on the development of blues, jazz, or gospel. Even brief bios on certain singers would add a great deal to what is otherwise a valuable resource. Still, even lacking photos and singer bios, the book is incredibly detailed. The compiler has obviously put his life's work into this piece.
0 of 0 people found the following review helpful.
I've been waiting for a book like this for years!!!
By The Van Man
Wow! This book is the most comprehensive discography on the topic of Black Recording Artists across the turn of the century that I have ever found or read. Incredible research, detail, and a comprehensive understanding of the topic. Author Craig Gibbs obviously has a passion for the topic and is incredibly well researched. Brilliant!!!
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